FIRST LOVE Review: An Exemplary, Hyperviolent Gangster Oddity With A Romantic Punch

Takashi Miike is back, and he’s brought out the goods once more with First Love, having crafted an explosive crowdpleaser proving itself on repeat since showing out for its Directors’ Fortnight premiere at Cannes. Miike’s style of cinema often whimsical and bizzare in some of its mechanics doesn’t always mingle with some minds. Similarly, it’s […]

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